Great Eastern FX Small Speaker Overdrive Review

Overdrive pedals don’t often set my world alight—even great ones. But I’ve spent a month with the England-built Great Eastern FX Small Speaker Overdrive, and it remains attached to the other end of my coil-y cable. Ostensibly, the Small Speaker is meant to be a variation on the tweed-Fender-Champ-in-a-box theme. However, both the pedal’s name and the Champ associations fail to do justice to how large and alive it sounds and feels tethered to a bigger amp.


For one thing, the Small Speaker has more headroom and low-end ballast than a hot, wide-open tweed Champ. You can certainly summon the focus and midrange-y punch that makes that amp a star in front of a microphone. But thanks to the Small Speaker’s excellent EQ, you can also conjure a substantial measure of tuneful low end that is a perfect counterweight to its open, aerated highs and mids, and makes this little pedal a wrecking ball.

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Small Speaker Overdrive with Rickenbacker 330, black-panel Fender Tremolux, Universal Audio OX with black-panel Fender Deluxe speaker emulation. Various combinations of EQ and gain with level between 1 and 2 o’clock. Guitar volume attenuation occurs at approximately 2:00 and 2:40.

The Small Speaker is also super dynamic. If you set the pedal up for a crunchy, high-gain setting, it gets much cleaner at attenuated guitar volumes—not sort of clean and thin, or slightly crunchy, but full-bodied and sparklingly clean. This characteristic, among many others, makes it a dream pairing for a black-panel Fender. I’ve had the black-panel Tremolux used for this review for decades. It’s flat-out my favorite amp. But in all that time, I don’t ever remember it sounding quite as sweetly crunchy as it does when hooked up to the Small Speaker Overdrive. What an impressive little pedal.

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